Emmanuel pierre antoine songy
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The Cirque Plume crew
The founders
Michèle Faivre, Vincent Filliozat, Jean-Marie Jacquet, Bernard Kudlak, Pierre Kudlak, Jacques Marquès, Robert Miny, Brigitte Sepaser
Board of directors
Michèle Faivre-Miny, Vincent Filliozat, Jean-Marie Jacquet, Bernard Kudlak, Pierre Kudlak, Jacques Marquès, Dominique Rougier, Brigitte Sepaser
Artistic director
Bernard Kudlak
Management
Board of management
Jean-Marie Jacquet, Bernard Kudlak, Pierre Kudlak, Dominique Rougier
Artists
Artists by show
Also employed during the creation process of shows:
Michel Boullerne, François Cervantès, Frédérique Cesselin, Giovana D’Ettore, Nathalie Pernette, Andréas Schmid, Landrille (Bouba) Tchouda Ngomen
Employed on short-term projects:
Frédéric Arsenault, Michel Basnainou, Jean Boistel, Bertrand Boss, Jean-Pierre Cote Colisson, Jade Duviquet, Florence Ferraris, Sybille Gatt, Jean-Claude Grenier, Martin Laliberte, Martine Lefevre, Claude Maigrot, Gilbert Meyer, Pierre Montagnier, Pascale Olleviers, Christian Pageault, Matthias Penaud, Pamela Quin, Jean Riant, Olivia Weinstein, Nathalie Weksler
Backstage
Last touring crew
Technical director
Jean-Marie Jacquet
Stage management, Head of big top installation
Jean-Philippe Perni
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Colons de Saint-Domingue
Anciens propriétaires (1789) - D
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Chanson
Lyric-driven French song
This article is about the musical term. For the song genre, see Nouvelle Chanson. For other uses, see Chanson (disambiguation).
This article is about the English-language use of the term Chanson. For the French-language use of the term, see Song.
A chanson (,[1];[2] French: chanson française[ʃɑ̃sɔ̃fʁɑ̃sɛːz]ⓘ, lit. 'French song') is generally any lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s.[3][5] The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ars nova composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons.
A broad term, the word chanson literally means "song" in French and can thus less commonly refer to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroqu