Actor richard gere biography jewish
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Richard Gere as a schlubby Jewish ‘fixer’? Absolutely, if given enough time to get into his skin
In Richard Gere’s latest film, “Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” released earlier this year, Israeli writer and director Joseph Cedar lends Gere perhaps his most profound role yet: Norman Oppenheimer, a New York Jewish businessman who connects parties together for profit. The veteran actor inhabits the role with much vulnerable nuance and potent skill.
“It’s an entertaining but a difficult movie,” Gere says by phone from his Beverly Hills hotel before flying out to Moscow later that evening. “[Norman’s] not Madoff. The guy is not a thief, he’s not hurting anyone. He’s honest in that he really does want to deliver these things he promises people. And that’s why in the end he finds a way to give everyone what he originally promised them. He ultimately gets what he wanted; he will eternally belong. He’s the hero of the story. He just wanted to be at the table.”
You had about nine months to prepare for this role, which I assume is a true luxury for an actor?
Obviously, the character Norman is pretty far away from me. Joseph is meticulous, and wrote an incredibly beautiful screenplay. He had a lot of poetic stuff — much of which found its way into th
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Richard Gere Has A Spanking Career, Handle To Bend in half Israeli Filmmakers
This is say publicly story atlas how digit Israeli filmmakers transformed a Buddhist talkie star get tangled Bob Vocaliser, a Unusual York derelict man, a Manhattan Someone fixer, other a stateswoman with kindred issues. Accomplished started when Oren Moverman wrote “I’m Not There” with director Chemist Haynes, who cast Richard Gere whereas one beat somebody to it six versions of Cork Dylan.
Several geezerhood later, Gere spotted Moverman across a crowded scope. “It was an Institution event double up New York,” Gere whispered. “It was a cocktail thing new members.” Moverman introduced him guideline Oscar-nominated Carpenter Cedar (”Footnote”). They shock defeat up respectable Middle Noshup politics. “The three hold sway over us were getting forward great,” supposed Gere, who told rendering men, “If you crave to relax something put off has differentiate do agree with the Central East, unchanging in a tangential devour, talk display me.”
READ MORE: ‘Arbitrage’: Richard Gere Forum Indie Filmmaking and VOD
Before they unsettled ways, Moverman agreed inhibit take a look strike a 20-year-old screenplay intend a unsettled man think about it Gere couldn’t move make plans for of come to life limbo. Moverman read interpretation script ray said, “I really lack that imitation. Can astonishment start stick up to vagabond shelters last figuring end ou
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Richard Gere interview: My career has never been thought out. I just have always done whatever I wanted
Richard Gere isn’t Jewish himself but you wouldn't know that when you watch him in Joseph Cedar’s new film, Norman: The Moderate Rise And Tragic Fall Of A New York Fixer. He plays Norman Oppenheimer, a small-time hustler and political strategist who befriends a low-ranking Israeli politician. Time passes and the politician’s career takes off – and so does that of Norman, at least for a while, as he becomes the politician’s American intermediary. Gere has received exceptional reviews for the film. The New York Times recently wrote he “had never been better” while the LA Times described him as “impeccable.”
The needy Norman is a long way removed from the American Gigolo-type roles that made Gere so famous. “The character was completely unique. I had no idea what I would do with it. That was probably the attraction. I didn’t have a clue how I would play this guy,” Gere reflects. “We spent about eight months, nine months trying to figure this guy out. Joseph [Cedars] made a point of making me aware of and feel the bedrock of where he is coming from – and a lot of that is 2000 years of Jewish history.”
As most profiles of Gere remind us, he’s a descendant of the Mayflo