Mark twains autobiography and first romance

  • Published by Sheldon & Co. in 1871, the book consists of two short stories: "A Burlesque Autobiography", which first appeared in Twain's Memoranda contributions.
  • A mystery which none of us has ever felt much desire to stir.
  • Mark Twain's (Burlesque) Autobiography and First Romance is an 1871 book by American author Mark Twain.
  • Mark Twain's (Burlesque) Autobiography and First Romance, a short volume, published by Sheldon & Co., NY in 1871, is Mark Twain's third book. It consists of two stories - First Romance, which had originally appeared in The Express in 1870, and A Burlesque Autobiography (bearing no relationship to Twain's actual life), which first appeared in Twain's Memoranda contributions to the Galaxy. Rather, the content consists of a few short stories of fictional characters who are supposedly part of Twain's lineage. In the final passage, Twain develops the story to a point of crisis, and then abruptly ends the tale, saying:
    “The truth is, I have got my hero (or heroine) into such a particularly close place, that I do not see how I am ever going to get him (or her) out of it again—and therefore I will wash my hands of the whole business, and leave that person to get out the best way that offers—or else stay there. I thought it was going to be easy enough to straighten out that little difficulty, but it looks different now. ”

    With that, Twain's "Autobiography" ends.

    The illustrations form an interesting aspect of this book. They have no relationship to the text of the book. Rather, they use cartoons illustrating the children's poem The House that Jack Built to lampoon the Erie Railroad

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  • mark twains autobiography and first romance
  • Mark Twain's Burlesque Autobiography by Mark Twain

    Summary "Mark Twain's Burlesque Autobiography" by Mark Twain is a humorous and satirical take on the genre of autobiography, crafted during the late 19th century. This piece plays with historical conventions and family lineage, weaving a narrative that reflects Twain's trademark wit and irreverence. The likely topic of the book is a comedic examination of personal and familial history through a burlesque lens. The "Burlesque Autobiography" begins with Twain's playful recounting of his ancestors, filled with exaggerated traits and absurd exploits that serve as both a parody of serious autobiographical works and a commentary on the nature of family heritage. Each ancestor’s tale becomes progressively more ridiculous, culminating in Twain's own reflections on his birth and upbringing. Following this, the work shifts to a fictional medieval romance that satirizes the tropes of chivalric love and court politics, featuring a female character masquerading as a male duke to ensure her family’s legacy. This humorous twist culminates in a surprising trial scene, where the stakes of identity and societal expectations collide dramatically, showcasing Twain's skill in blending humor with critical social commentary. Overall, the book ser