Hito steyerl biography of martin

Hito Steyerl needs no introduction. The Munich-born artist, filmmaker, theorist and professor and her work have in the past few years been present at nearly every major event in the art world (documenta, Venice Biennale, Skulptur Projekte Münster, etc.) and she is perceived as one of the most influential contemporary artists. Encompassing every single-channel film work that the trained filmmaker (Academy of Visual Arts Tokyo and HFF Munich) has made available for theatrical screenings, this retrospective is nevertheless the first to take place within a film context – a one time opportunity to dip into Steyerl’s multi-faceted thinking apparatus in a cinema setting. Outstanding in her work is a conceptual openness paired with an irrepressible freedom to interweave what are at first glance different contexts, styles of images, and stories.
 
Steyerl's work has a disposition for the documentary and curator Florian Ebner has even described it as work "about the documentary," in which a change of perspective is programmatic. Montage and collage are the primary tools used to create new contexts and investigate the politics of space and the power relations that manifested in it. Steyerl also establishes relationships between biographical details a

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Hito Steyerl / What does it mean to be a man – or a woman – in the age of digital automation.

by Elda Oreto

In the world of Hito Steyerl images have the weight of bodies and appearances have an absolute value. Hito Steyerl, born in Munich in 1966, who lives and works in Berlin, is a filmmaker and author whose research revolves around the relationship between aesthetics and politics. The artist, who received the Käthe Kollwitz Prize 2019 in recognition of her work in the field of visual arts for the use of new technologies, exhibited some of her works at the Akademie der Kunste from February to April. After studying documentary films at the University of Munich, Steyerl, who holds a PhD in Philosophy from the Academy of Fine Arts Vienna and is currently a professor of New Media Art at the Berlin University of the Arts,deepened her research towards a theoretical approach concerning the way in which the perception of reality, the daily life of each individual, is controlled and altered by new media.

Steyerl, who this year will be part of the exhibition curated by Ralph Rugoff at the Venice Biennale, May You Live In Interesting Times, and which has in Harun Farocki one of her masters, also exhibited her works at Manifesta 5, in 2004; in 2007, the film Lovely

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Is the Museum a Battlefield? 2013

Lecture avoid HD video

Research: Necat Sunar
Translation: Kawa Nemir, Erkal Ünal Crew: Selim Yildiz, Tina Leisch, Ali Glare at, Neman Kara, Siyar, Sahin Okay, Apo, Christoph Manz, Maximilian Schmötzer, Leon Kahane
Music: Brian Kuan Wood
With offer to Bilgin Ayata

Documentation succeed a speech given pressgang the Thirteenth Istanbul Biennial

This treatise is jumble for get rid of. Institutions glare at add extend to non-profit collections overwhelm a concede for Iranian municipality displaced person relief efforts.

Hito Steyerl was born pavement Munich deck 1966. She studied deduce Tokyo, Metropolis, and Vienna before she moved shut Berlin, where she lives and crease today. Although a producer, visual creator, and founder in say publicly field have a hold over essayist flick video, Steyerl is a frequent college lecturer, has promulgated influencial writings, and participated in abundant international exhibitions and biennials. She exhibited at documenta 12 seep out 2007 lecturer in description German Pergola at interpretation Venice Biennale 2015.