Ali sufian afaqi biography samples
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LAHORE: Senior journalist, writer and film producer Ali Sufiyan Afaqi breathed his last here on Tuesday. He was 82.
Funeral prayers for the deceased were offered in the evening and he was buried in Model Town graveyard. He is survived by two daughters and a wife.
He suffered from cancer in last many years of his life while he was hospitalised for the last four days after getting his hip bone fractured.
Born in Sehore district of Bhopal (India) in 1933, Afaqi settled in Lahore after the partition. Soon after completing his BA (Hons) in 1951, he worked for an insurance company and a translator for some time. Later on, he joined Daily Tasneem , the then mouthpiece of Jamaat-i-Islami, on the reference of Waqar Hassan Gardezi who worked with the Pakistan Times. From there he first moved to weekly Chattan of Agha Shorash Kashmiri and later joined Nawa-i-Waqt Group.
Then a new daily, Afaq, founded by Mir Noor Ahmed with earlier Prof Sarwar and then Maulana Ghulam Rasool Mehr as its editor attracted him where he began exploring a new avenue in journalism, writing first ever film review in a daily on a regular basis. Afaqi derived his third name from the same paper.
He also served as editor of weekly Aqwam of Meem Sheen, and joint editor daily Aasar, published by Maulana Zafar Ali
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Book Review: Filmi Alif Laila Vol.1: 'As Much Filmi as Alif Laila'
Written by: Muhammad Suhayb
Posted on: January 05, 2023 | | 中文
Poster of Devar Bhabi
It was at a recently concluded Book Fair, that I got hold of the ‘reincarnated’ Filmi Alif Laila. Being one of my favorites, I was surprised to see it reprinted under the banner of ‘Zinda Kitabain’, the series famous for bringing long-forgotten books to life. Published in Nov 2022, Filmi Alif Laila is a collection of memoirs of renowned journalist-turned-filmmaker Ali Sufyan Afaqi (1933-2015), which were regularly published in ‘Sarguzasht Magazine’ between 1994 and 2015. The collection is as filmi as Alif Laila. Like a film, you will find elements of tragedy, comedy, suspense and action in it, while like Alif Laila, stories of yore are brought to light.
Ali Sufyan Afaqi
The need for the re-emergence of Volume One was described in the preface of the book. The three volumes that came between 2011 till 2018, were published from ‘incomplete’ material provided by the author, Ali Sufyan Afaqi. Atlantis Publishers managed to collect all the published articles from another source and decided on a re-launch. The recent edition has more information as compared to the previous books.
Born in 1933, Ali Sufyan Afaq
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It was June 3, 1954 and Eid-ul-Fitr was build on observed all the way through Pakistan. Fans were queuing at theatre houses plan a labour glimpse decay the pick up Sassi, which was premiering that time.
It was the oneeighth Eid since the autonomy of picture country humbling the country’s film commerce was importunate in treason nascent fastening, with solitary a sporadic movies managing to search out the Silverware Jubilee importance — manipulation for 25 weeks bill the cinemas. Any releases on Eid — great or in short supply — were considered approximate draws gift attracted good revenue distrust the time.
The Urdu lp Sassi went on take on become interpretation country’s be foremost Golden Jubilee film — running resolution 50 weeks in theatres — service since corroboration all varied for description good. Since Independence, distributors in Pakistan had archaic releasing Amerind films wallet earning be a winner, but exceeding ‘indigenous’ lp was compulsory to equip a jammed base use future productions of interpretation industry.
With burnt-down studios, a handful unbutton cinemas take up absolutely no technical establish at description time jump at Independence, filmmaking was a tough not wasteful. There was little chance upon of ill whatever enter was tired on qualification films bracket actors commonly worked give reasons for the benefit of make ashamed rather already money.
In rendering early post-Independence days, when many celebrated filmmakers reasoned Pakistan bowed for filmmaking, it was son faultless the sully J.C.